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    • By Lisa G. Bennett
      • Apr 29, 2018
      • 3 min read

    CWDT's free 'Spring Concert' a priceless experience ★★★★☆

    Updated: Oct 13, 2020



    ★★★★☆ - Delicious

    The name may have changed but the sublime artistry remains the same. Contemporary West Dance Theatre (previously known as Las Vegas Contemporary Dance Theater) presented their Spring Concert Series at West Las Vegas Library recently, giving free performances co-sponsored by The Las Vegas-Clark County Library District. Well worth the complimentary price of admission, the company premiered three original pieces choreographed by founding artistic director Bernard H. Gaddis.

    Gaddis is a masterful storyteller with an eye for dramatic detail, astute choice of music, and ability to blend diverse forms of dance on dancers well-versed in the language of movement. His evocative compositions transported us through time and space to places limited only by our own imaginations.

    The first offering was the luxuriant ballet "Lakmé," which shares its name with the 1883 opera by Léo Delibe, set in British India about an Indian girl who falls for a British officer with tragic results. Delibe's exquisite song "Flower Duet" set the tone for this organic and atmospheric work, with exuberant dancers wearing velvety, emerald green dresses as they moved against a green backdrop in a layering of hues to suggest nature.

    Sweeping port de bras with pivot arabesques and graceful pirouettes blended seamlessly into Lester Horton style movements of deep pliés, angular limbs, and flexed feet in a way that subtly evoked traditional Indian dance. There was a gorgeous intensity to the partnering of Maria Vicuna McGovern and Matthew Palfenier with their pretty penchés and difficult lifts, though on opening night some of those lifts seemed awkward and the ensemble as a whole were often out of sync. But where there are flowers there are bees, and one performer (Adrianna Rosales, perhaps) embodied the bug and danced a charming and humorous solo in an inspired bit set to Nikolai Rimsky-Korsakov's "Flight of the Bumblebee."

    Gaddis' emotionally devastating "Fractured Space" swept us to a long-ago time in a far-away place, where something horrible has happened to make people question their faith. In the vein of a Horton choreodrama the piece has a stark, hazy, monochromatic look which reminds of an old silent movie, and is set to the music of Yann Tierson, David M. Frost, and Antonio Vivaldi. The powerful narrative made huge psychological and physical demands on featured dancers Rosales, Rachel Murray-Young, and Palfenier, who put on their acting chops to give stunning performances.

    The very spiritual first part of the piece featured Rosales as a woman wearing a black mourning dress trimmed with Spanish lace, grieving and praying at the altar of a church as beams of light streamed through stained glass. The second half featured Palfenier and Murray-Young as a man and a woman who is in the throes of a nervous breakdown, performing an agonizing relationship duet full of strained lifts and pained gestures that built in intensity to a shocking end. Both riveting and mind-blowing, it'll be exciting to see the finished version of this work in progress.

    While "Fractured Space" kept the audience riveted to their seats, the rousing "Havana" had people clapping and on their feet. The jazzy music of Brett Gold, Chucho Valdes, and Ibrahim Ferreer helps set the ambience of a hot and steamy night in Cuba, when a group of dancers come together to impress with their moves in a nightclub or on the streets. The amazing Eddie Otero stole the spotlight during this piece, with his suave cha-cha-chá, spicy shoulder shimmies, and pelvic gyrations thrilling the crowd. There was a funny dance-off between him and Gaddis, as well as a sultry and hypnotic duet between Gaddis and Vicuna-McGovern.

    The entire ensemble created feisty, believable characters, and the colorful, ruffled costumes by Murray-Young were spot-on.

    Kudos to dancers not mentioned--Marie-Joe Tabet, Josie Therese Camp, Ashley Gezana, and Edward Salas--for their excellent work, and to technicians Erina Noda and Jessica Agar who designed the sumptuous costumes with Murray- Young, and lighting designer Sandra Fong who always completes the beautiful stage pictures of each piece, and knows how to light dancers so they glow.

    Don't miss the chance to catch Contemporary West Dance Theatre's next free concert at the library. It's a price that can't be beat.

    Pictured: Maria Fernanda Vicuna-McGovern

    Photo by: Jason Skinner Photography

    #CWDT #Bennett #Review #Dance

    • Dance
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    • Dance Review
    • Ralph Stalter
      • Apr 14, 2018
      • 3 min read

    EMAV Review: Lavish 'Marie Antoinette' is dynamic and powerful ★★★★★

    Updated: Mar 8, 2019



    ★★★★★ - Irresistible

    This theatrical and stylistic retelling of the life and final days of Marie Antoinette is a challenging and powerfully irresistible 5-Star production of David Adjmi’s play, with a tour-de-force performance by Katie Marie Jones.

    From the outset, vibrant tints of sky-high coiffure and haute couture are worn by Marie and her frenemies – as they converse like Valley Girls over a spot of tea and plates of colorful macaroons. Throughout the first act, the audience is treated to Marie’s lavish, onstage costume changes underscored by the driving beat of techno music and flashy lighting on the “Fashion Show Runway”.

    Director Troy Heard and his gifted production team tease us in Act 1 with the frivolous and sumptuous finery of life in 18th Century Versailles, Paris & Environs, and then effectively strip away the nonessential accessories in Act 2 as the Royal Family attempts to escape to the country. Marie’s wardrobe is by then reduced to one plain item and, for her final days, a sullied chemise.

    Three Cirque du Soleil artists head up the creative team: lavish costumes and sumptuous finery by RuBen Permel, splashy wigs by Bree Schiller, and set designer John Rager. A thrust stage reaches out into the audience, which surrounds it on two sides. This dynamic performance space amplifies the theatrical energy and tension between the actors and audience who are in such close proximity to each other. The lighting by Marcus Randolph, and sound design by Cory Covell, successfully accentuate the impact of both the palatial surroundings and the prison.

    From initial Valley Girl jesting (“the linzer tarts, omigod”) to her mad-scene finale (stripped of shoes and hair), Katie Marie Jones carries off the title character with aplomb – indicative of the self-confidence or poise exhibited in a manner that borders at times on insolence most appropriate to the role. As her husband (extravagant spender King Louis XVI), Andrew Young is wonderfully immature and indecisive in attempts to address his limited sexual interest in Marie or to combat the influence of court in their efforts to improve France's government.

    Other cast members include dutifully charming April Sauline and Natalie Senecal as the disingenuous high-fashion courtiers (Yolande de Polignac and Therese de Lamballe); Richie Villafuerte, a most convincing talking sheep who warns Marie to change her extravagant lifestyle; Josh Sigal (Joseph), Christopher Cipollini (Axel Fersen) and Rowan Johns (The Dauphin).

    Marie Antoinette was commissioned by Yale Repertory Theatre -- with development and production support provided by Yale’s Binger Center for New Theatre and the Andrew W. Mellon Foundation – and received a critically acclaimed world premiere co-production by American Repertory Theater and Yale Rep in 2012. The play won 3 Connecticut Critics Circle Awards including Best Play, received a New York premiere at Soho Rep and has been produced at Steppenwolf, Woolly Mammoth and other theaters around the world.

    Playwright David Adjmi is the 2010 recipient of the Whiting Award for Drama and was awarded a Mellon Foundation Playwrights Residency, the Guggenheim Fellowship, the Kesselring Prize for Drama, the Steinberg Playwright Award (the “Mimi”), and the Bush Artists Fellowship, among others. He is the recipient of multiple MacDowell Colony fellowships, Sundance/Ucross residency and others.

    Marie Antoinette continues its run at Majestic Repertory Theatre, 1217 S. Main St., Las Vegas, NV 89104, through April 22nd.

    #Stalter #Review #Theatre #MajesticRep #Downtown

    • Review
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    • Theatre
    • Eat More Art Vegas
      • Apr 9, 2018
      • 1 min read

    Marie Antoinette @ Majestic Repertory Theatre is Valley Recommended



    MARIE ANTOINETTE

    By David Adjmi

    Directed by Troy Heard

    "The historical Material Girl tale takes on a new relevance in our world of Instagram and One-Percenters."

    LOCATION: Majestic Repertory Thetre 1217 S. Main St. Next to Buffalo Exchange, South of Charleston Blvd

    SHOW DATES:

    Through April 29th

    Thurs - Sat 8pm

    Sun 5pm

    Majestic Repertory Theatre

    #ValleyRecommended #ValleyAwards #MajesticRep #Downtown #Theatre

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