Moms Mabley, Considered "The Funniest Woman in the World," Is Celebrated at The Legacy By Debbie Hall Broadway In The HOOD delivers a powerful theatrical tribute to one of comedy's most groundbreaking pioneers with I Got The Last Laugh, written by James E. Carter and inspired by the life of legendary comedian Jackie 'Moms' Mabley. Running weekends through May 31 at The Legacy Theatre Of Excellence, the production explores Mabley's remarkable career, her cultural influence, an

By Isabel M. Castro “Art is never silent in times of political upheaval.” — Sarah O’Connell In a cultural moment shaped by urgent conversations surrounding censorship, democracy, and political division, The Anemone and the Boar will be performed in Las Vegas with striking relevance. Presented by The Asylum Theatre, the production marks both the United States premiere of the play and the international launch of Stevens' English translation. Performances will take place at Posi

Rewinding the Clock By Paul Atreides Author, Playwright, and Theatre Critic at EatMoreArtVegas.compaul-atreides.com The Will to Live, Juliana Noble’s first play, deservedly won Best of Fringe at the 2024 Las Vegas Fringe Festival. It was a trimmed-down script to fit the 60-minute time slot. Now, 23 months later, the full play debuts at Vegas Theatre Company with Noble again in the director’s chair. The play’s conceit and hook is that it is structured backward. It opens wi

By Debbie Hall Las Vegas welcomes a bold new theatrical hybrid with the arrival of ClueX, now in residency at Notoriety Live on the Fremont Street Experience in downtown Las Vegas, through July 31. Inspired by the beloved Clue, this genre-defying production merges burlesque, parody, and interactive storytelling into a singular stage experience. Helmed by producer, writer, director Simone Skold, ClueX has undergone a decade-long evolution—from its origins as a small-scale revu

By Paul Atreides Author, Playwright, and Theatre Critic at EatMoreArtVegas.com paul-atreides.com They’re baa-aack! The ladies from last season’s Four Old Broads on the High Seas reprise their roles in Four Old Broads , by Leslie Kimbell, and couldn’t be more delightful. Coming off her keyboard first in 2018, this one is overdone in that the final scene sucks a bit of air out of things. But, overall, the dialogue sparkles, and it’s still funny. While High Seas took them

A Public Fit Theatre Company presents the third show of its 2025-26 season, a script-in-hand production of Octavio Solis’ Mother Road , a modern sequel to John Steinbeck’s The Grapes of Wrath . Offered in partnership with the Las Vegas-Clark County Library District, Mother Road will be presented at the West Charleston Library, 6301 W. Charleston Blvd. at 7 p.m. on Friday, Jan. 23, the Clark County Library, 1404 E. Flamingo Road on Friday, Jan. 30 at 7 p.m. and Saturday, Jan

By Paul Atreides Author, Playwright, and Theatre Critic at EatMoreArtVegas.compaul-atreides.com The zany characters of Tuna, Texas, are back as Las Vegas Little Theatre presents A Tuna Christmas by Jaston Williams, Joe Sears, and Ed Howard. All 23 of them, in this second installment of their Tuna comedy series. If you’re familiar with the Tuna franchise, Greater Tuna , A Tuna Christmas , Red, White & Tuna , and Tuna Does Vegas , you know how politically incorrect these

By Erik Engman Author, Clown and Improvisation Teacher, Theatre Critic EatMoreArtVegas.com IG: ErikReviewsVegas There are three things I can always count on at Christmastime: All I Want For Christmas Is You by Mariah Carey everywhere I go, coal in my stocking (from my cats), and the classic tale: A Christmas Carol . There have been a multitude of adaptations on film and stage, and this year Broadway Stage Collective and Signature Productions have gifted us A Christmas Car

Photo by Nathan Dumlao on Unsplash By Debbie Hall The Asylum Theatre brings its second Solo Play Day Festival to the Rita Deanin Abbey Art Museum with a performance of “Gifts of Gratitude” from 3 to 5 p.m. on Sunday, Nov. 23. The event features an afternoon of poetry, music, and monodrama created by Sarah O’Connell, artistic director of The Asylum Theatre. Presented amid the museum’s striking collection, the performance highlights the power of individual expression and th