Dustin Lynch with photo by Gage Skidmore By Debbie Hall Country music fans heading to the Sunset Amphitheater at Sunset Station Hotel & Casino on May 23 will see more than a chart-topping entertainer take the stage. They will witness one of modern country music’s most consistent songwriting voices and creative forces as Dustin Lynch delivers a night built on storytelling, emotional connection, and genre evolution. For more than a decade, Lynch has quietly shaped a career that

Moms Mabley, Considered "The Funniest Woman in the World," Is Celebrated at The Legacy By Debbie Hall Broadway In The HOOD delivers a powerful theatrical tribute to one of comedy's most groundbreaking pioneers with I Got The Last Laugh, written by James E. Carter and inspired by the life of legendary comedian Jackie 'Moms' Mabley. Running weekends through May 31 at The Legacy Theatre Of Excellence, the production explores Mabley's remarkable career, her cultural influence, an

By L.A. Walker Entertainment. Storytelling. Real Talk. Reviews • Commentary • Music • Emotional Truth There’s something happening at The Composers Room in Las Vegas that deserves attention, and the recent production of License to Thrill, starring Kendra Erika as the singing Bond girl, was another strong reminder of that. But first — let’s talk about Kendra Erika. Her vocals were beautifully on point throughout the evening. Crisp. Intentional. Controlled. Yet beyond vocal abil

By Paul Atreides Author, Playwright, and Theatre Critic at EatMoreArtVegas.com paul-atreides.com Playwrights need theatres to help develop their works. With the recent announcement that the Yale Drama Series Competition for New Works is ending this year, coupled with the Sundance Theatre Lab closing in 2021 and the Iowa Writers’ Workshop for stage plays being moved to the MFA program, it's terrific that Las Vegas Little Theatre (LVLT) does this. While early drafts are sha

By Debbie Hall A darkly enchanting fairy tale is coming to the Las Vegas stage as Nevada Ballet Theatre presents Hansel and Gretel at The Smith Center from May 15–24. This visually stunning Las Vegas premiere transforms the beloved Brothers Grimm classic into a thrilling theatrical spectacle filled with Gothic fantasy, cinematic inspiration, and breathtaking choreography. In this bold reimagining, audiences follow the perilous journey of Hansel and Gretel as they wander throu

By Debbie Hall May is National Mental Health Awareness Month, observed annually since 1949 to reduce stigma, educate the public, and promote support for mental wellness. Founded by Mental Health America, the month features campaigns to highlight that 1 in 5 adults live with a mental health condition. Southern Nevada's MHS Behavioral Services and Restorative Behavioral Health LLC are collaborating on free and low-cost events for Mental Health Awareness Month in May, inclu

Trailblazing LGBTQ+ Actor, Comedian, Writer, Director and Producer Continues Momentum on the Global Festival Circuit Award-winning actor, comedian, filmmaker, and LGBTQ+ trailblazer Jason Stuart is earning international recognition as his provocative new indie feature REDLINING has been officially selected for a growing list of prestigious film festivals across the United States, Canada, and Europe throughout 2026. Co-written, directed, produced by, and starring Stuart, REDLI

By Isabel M. Castro “Art is never silent in times of political upheaval.” — Sarah O’Connell In a cultural moment shaped by urgent conversations surrounding censorship, democracy, and political division, The Anemone and the Boar will be performed in Las Vegas with striking relevance. Presented by The Asylum Theatre, the production marks both the United States premiere of the play and the international launch of Stevens' English translation. Performances will take place at Posi

Rewinding the Clock By Paul Atreides Author, Playwright, and Theatre Critic at EatMoreArtVegas.compaul-atreides.com The Will to Live, Juliana Noble’s first play, deservedly won Best of Fringe at the 2024 Las Vegas Fringe Festival. It was a trimmed-down script to fit the 60-minute time slot. Now, 23 months later, the full play debuts at Vegas Theatre Company with Noble again in the director’s chair. The play’s conceit and hook is that it is structured backward. It opens wi